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ESC to close 3.91 (by 436 users)no.6
  • 2011
  • TV
  • Japan

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Titleinterface

romanized no.6
native
aka nanba shikkusu

Based On

based on book
title no.6
author Asano Atsuko ( あさのあつこ)

Genres

genres sci fi

Language

language Japanese

Production

country Japan
type animated
format TV
network Fuji TV (フジテレビ)
by bones (ボンズ)

Release

date 08 Jul, 2011 - 16 Sep, 2011
episodes 11
duration 30 minutes
air day Friday
at 01:15 - 01:45
status released

Stats

avg. score 3.91 of 5 by 436 users
total users 711
rating 1705
favorites 44

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Synopsis

On his birthday, in the middle of a typhoon, a strange wounded boy named Nezumi enters Shion's room. Shion gives him a hand and saves him, with it putting himself in danger before the Public Security Bureau for assisting a runaway. What will happen to Shion and how will his life change?

Screencaps

altaltalt

Roles

main
main
supporting
supporting
supporting
supporting

Production

singer
singer
singer
composer
singer
director, storyboard creator

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Comments

danisensei 31 Jan, 2015
Great plot! A metaphorical representation of reality.
I just think the yaoi part was out of place here. o.Õ
rubylazara 14 Sep, 2013
@liyirna I so totally agree >< i started watching cause i like postapocalypse stuff but on ep 3 I started facepalming like crazy every 10 seconds... their dialogues are just... maybe 10 year olds would consider this mature though
Random chan 30 Nov, 2012
@liyirna you are right XD.
liyirna 30 Nov, 2012
@Random chan what?
Random chan 28 Nov, 2012
@liyirna that.
liyirna 14 Oct, 2012
Another wannabe attempt in "artsy provocative" anime and subpar Noitamina. When will they get the idea that heavily overplaying yaoi subtext in distopia/utopia landscape is NOT enough to count 'mature and thought-provoking'? And the ending was totally chewed out
who are these people (girl and man in no.6)? what is Eulysya and how Shion survived?
Random chan 17 Sep, 2012
@majorzero XP True words of a master.
majorzero 17 Sep, 2012
@Random chan Honestly, I think some people know how to make moneymaking machine and be entertainment, and I think it's right way for mainstream flicks, for big corporations behind studios. Also, I think artistry is long time dead horse, and modern so called art-house it's nothing, but a bad joke, mostly, and if you have some experience, some knowledge and when you see the whole idea just from start... it's so boring, like, I don't know, Shion Sono for example. Anyway, I believe if work have it's own spectator, then it's already exist for good reason.
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